Tag Archives: machine embroidery

Zig Zag Bonnet II

bonnet stand

 

Another class project for Sewing at the Beach is finished along with the kits and handouts. This Swiss organdy zig zag bonnet is a summer version of the Swiss flannel bonnet featured in an earlier post. Appearing in Creative Needle magazine many years ago, the 1920’s pattern has always intrigued me.  That recreation was made of a single layer of Swiss batiste.

Working with the organdy was such a pleasure.  Having modified the pattern to include a lining, I was pleased to see  the delicate lawn print peeking through the organdy.  It is much more visible than it is through the Swiss flannel.  Additionally, the organdy required no starch before hemstitching.  This is a bonus in a classroom situation.

 

lining fold back

Basically, the pattern consists of a single piece of batiste 15″ X 9″ with deep zig zags along the front and back. This measurement allows a little excess around the edges for hemstitching.

I was not surprised at how difficult it was to trace the pattern onto the organdy.  It would have taken too much time in class, so I used a technique that has worked on other projects that require tracing.

First, I taped the paper pattern to the cutting board.  Then, a sheet of quilting template plastic was placed over that and also taped to the cutting board.  Next, several lengths of double sided tape (my absolute favorite, must-have non-sewing notion) were placed around the perimeter of the pattern and through the center.  Finally, the organdy was pressed against the tape and smoothed flat.

Not only does this prevent shifting of shifty fabric, but it also prevents the possibility of transferring some of the ink from the pattern onto the fabric when the marking pen traces over it.  And it is so much more accurate than tracing over unruly fabric.

 

If you would like this wide V floral machine embroidery design, post your request as a comment below.

If you would like this wide V floral machine embroidery design, post your request as a comment below.

The machine embroidery within the front points is from Fil Tire’ and Fancywork Combinations collection.  Lining is joined to the organdy with spray adhesive up to the brim fold line.

Machine made entredeux outlines the perimeter and slightly gathered English lace edging is butted up to it.  Lace edging is joined all around.

The embroidered points are folded back to serve as a brim and the back zig zags are tacked together. Ribbons can be attached quite simply at the sides.   Machine embroidered lace rosettes to cover the ribbon stitching takes a little more time but I was pleased with the results.

 

bonnet back

Five inches of 3/4″ edging was machine zig zagged together.  By pulling the gathering thread from both ends, I had more than 2″ of sturdy header thread to knot off, holding the rosette’s gathers.  Still, there is a small hole in the center.

Water soluble stabilizer was hooped in my smallest embroidery frame.  With spray adhesive, a scrap of white lace was placed against the rosette, over the hole.  Then, with another application of spray adhesive, the lace rosette was placed on the stabilizer.  The carefully selected design was sized to reach beyond the little hole in the center of the rosette.

I love baby bonnets. What is your favorite bonnet pattern?

 

 

Betty’s Embroidered Buttons

Bettysbuttonsvariety

These buttons are just sooooo sooooo neat!   When my friend Betty Ludwig (see her Shopping Girls jacket a few posts ago) told me about the button machines from Hope Yoder and how much she loved hers, I was intrigued.  Basically, these buttons covered with machine embroidery.

So why do you need a machine?  People have been covering buttons for a very long time, with nothing more than a package from the fabric department.  You don’t need a machine, if you are simply covering a button with fabric.

 

bettysbuttons2cross

 

But if you want to feature a motif in the fabric, or more currently, a machine embroidered design, then you’ve got a whole different set of challenges.

The difficulty is centering.  And it is easy peasy with Hope’s machine and her miniature embroideries designed specifically for buttons.

But what do you do with these embroidered buttons, I asked Betty.  “EVERYTHING!!!!” was her answer.  At Betty’s insistence, I watched the video on Hope’s web site  and my excitement built.  These buttons can be used on anything for anybody!   From key chain fobs to book marks to….well, just scroll through these photos.  Continue reading

Alastair, the Mouse King

AltheMouseKing

 

Alastair’s Christmas suit is finished and ready to wear.  The pants pattern is from the book Sewing for Jack and Jill, by Martha Pullen.  It begins with the basic button-on pants pattern and simply adds a template for the V front.  It would be easy enough to draft if the book were not available.

This pattern has become a favorite of mine.  The V-front pants seem more elegant and suitable for special occasions.  The V also creates an ideal frame for embroidery on the shirt.

 

MousekingVpants

MP pants

 

The black velveteen pants are lined with black Imperial broadcloth.  The abalone buttons were found at Farmhouse Fabrics and they are just lovely.   I wanted to use the same buttons on the shirt and pants, but black would not show up on the pants and white or ivory would not show up on the back of the shirt.  The pearly grey abalone buttons offer contrast to both fabrics and shimmer in the light. They are perfect. Continue reading

Christmas Dress ’10

black velveteen

Laurel’s black velveteen dress and pinafore bib are finished, complete except for the hem. It was such a pleasure to plan and stitch this holiday outfit for her. Handling and stitching the goods for heirloom sewing just makes me say ahhhhhh.

Christmas outfits for Laurel and her brother need to be finished in time for family Christmas card photos. Then, they will be worn to The Nutcracker performance in early December. So the rush is on to complete Robert’s clothing. His shirt will be embroidered with a nutcracker.

pinafore bib

The champagne Swiss batiste pinafore bib features the Sugar Plum Fairy design from A Bit of Stitch’s Mini Nutcracker Motifs collection. This is a really lovely design, very delicate. The motif below the dancer is stitched with 80 wt. Madeira Cotona, which makes the design very light.

I was almost finished with the bib when I noticed that the ballerina was not centered. How did that happen? I measured ever so carefully, I thought. But I’ll have to live with it now.

Ecru beading threaded with pink satin ribbon runs on either side of a delicate antique lace insertion. Wide pink satin ribbon ties the bib front and back at the side. Continue reading

Shower Curtain Monogram

ShowerCurtainMonobathwhole

 

The talents of one who sews are always in  great demand.  Judy Day writes, “ This was done for my niece, Alison.  She rented an apartment that was in much need of  ‘fixing up.’  The owner gave her permission to re-do some things.

 

ShowerCurtainMonobathside

 

She and her mom completely redid the bathroom, from painting to putting in new tile.  Staying with black, white and grays, Alison added the red flower picture to really make this bathroom pop.

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Pincushions & Bumblebees & Free Design

Maartha pc

 

I can’t seem to get bumblebees out of my mind. Like a song that keeps playing over and over in your head, the bumblebees will not leave me alone.

 

antique heart

vintage 1940

 

As I look over old projects, I realize that Charleen Madsen’s bees are buzzing on more of my creations than I realized. Photos have already been posted of Laurel’s Bee Happy outfit, the bee placemats and napkins and the linen guest towel. But there is more.

The two oval pin cushions were projects for classes I taught in Huntsville for Martha Pullen, in San Juan for Luis Medina, the Brother dealer there. The red yo-yo was included for technique, but also reminds me of the little strawberry that hangs from the most popular pincushion of all time, the tomato.

 

San Juan project

 

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Babylock Christening Gown

gown all

This christening gown was the main project for the Babylock school I taught at Martha Pullen’s school in Huntsville, AL, a few years ago.

The ecru and white combination has always seemed the height of elegance to me. Also, since photos had to be posted on the school web site, the ecru embroidery showed up much better than if the embroidery had been white on white.

 

bodice center

 

It seems to me that anytime Swiss batiste, imported trims and heirloom sewing techniques are combined, the result is likely to be something beautiful. In this case, the classic christening gown is a melange of Swiss batiste, French lace and entredeux.

 

full bodice

Elaborately embellished, it includes classic details such as point de Paris, Madeira appliqué, shaped French Val lace, feather stitching, pin tucks, twin needle shadow work, and delicate embroidery. Also incorporated into the gown’s design is Lace Tape, a recently rediscovered heirloom trim, applied as a shadow appliqué on the wrong side of the batiste.

 

back

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One More Pillowcase Monogram

Nicky pc

It’s no secret that pima cotton pillowcases are one of my favorite wedding and shower gifts. The king size pillowslip shown is one of a set of six made for a wedding shower gift.

There is nothing very remarkable about them, except that the bride-to-be is a rather tailored young lady whose personal taste does not gravitate to flowery designs or frilly housewares, which is exactly where my preferences lie.

So when I opened my BuzzXplore program and pulled up this monogram alphabet from Martha Pullen’s 2002 Embroidery Club, I was satisfied that it would fill the bill. Continue reading

Treasure (Bug) Bag

“A treasure to a little boy does not consist of money, gems or jewelry.  He will find far greater pleasure in the wonder of a rock, pebble, stick or beetle.”  Author Unknown

Robert, 5, with his first bug bag

Robert, 5, with his first bug bag

I’ve always referred to this as a bug bag, but after reading this statement, I am renaming it a treasure bag. Boys and bugs go together like peanut butter and jelly, and many a peanut butter jar has been called into service as a bug container. But this version is better.

Made of regular fiberglass screen from the hardware store, the basic teepee bag style makes a very unique and wonderful gift for any boy and most girls. My two older grandchildren, Robert and Laurel, each have at least two of these bags because, according to them, they needed them! When pressed for an explanation of why a child might need more than one bug bag, I was informed that bug hunting with a friend is much more fun and each would need a separate bag. And what if they caught so many bugs that the bag were filled to capacity? There were more reasons, some more logical than others, but of course, I made two for each child.

 

TreasureBugBagprofBrite

Of course, this bag could be a simple container made from screen but it is so much fun to embellish it with machine embroidery. The bag Robert holds is embroidered with several bugs, including a column of marching ants and a ladybug. Continue reading

Aunt Rheeta’s Communion Cloth

The linen is white, but the lighting was so poor that I had to edit the picture to show details.

 

 

Very few sewing projects have given me as much pleasure and satisfaction as this one. Made 2 years ago, in collaboration with my dear aunt, Rheeta Booth, for her church, this set of liturgical linens includes an altar cloth (cover) and communion veil which covers the elements before communion is served.

 

 

communionclothmiter

 

Aunt Rheeta was so excited about this project. The exquisite Swiss liturgical lace had been purchased several years before, from Farmhouse Fabrics.    At the time, I had no specific plan but felt certain this exceptional lace it would fill a very special need.

 

communionclothcenterfront1

 

Several years ago, when Aunt Rheeta returned from Russia, where she had served as a missionary, she brought with her a lovely hand embroidered cloth. She donated it to her very small church for use as a communion cloth, but through the years, it had become worn.

During her visit two years ago, we were plundering in the sewing room when I happened upon the lace. The light in her eyes told me it had found its purpose.

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