Category Archives: techniques

Gingham Dog Quilt Part I

This is one of my all-time favorite projects.  My dear friend, Suzanne Sawko, and I collaborated on the design, she digitized the straight line text and I sewed it.

It was a major project and telling you about it will take more than one post.  I doubt many of you would have the patience or endurance to plow through all the details at one sitting.  However, those of you who seek new techniques might find some tidbit of interest in the non-conventional creation of this quilt.  So this is part one.

The quilt celebrates the amazing capabilities of today’s computerized home embroidery machines. Uncommon sewing and quilting techniques make the project interesting and relatively easy. With the whimsy of a classic children’s poem, the beauty of fine heirloom fabrics and the charm of embroidered gingham dogs and calico cats, this quilt has delighted each of my grandchildren.  It hangs now in our upstairs nursery, next to the crib.

crib with quilt rack

What makes this quilt interesting?  Well, the basic construction, for one.  I will never forget my original disdain for quilting, especially after hearing a non-quilter comment that to her it made little sense to cut perfectly good fabric up into little pieces and then sew it back together again.  At that time, I naively concurred.

But there is none of that cutting up and resewing here.  This quilt is very non-traditional in every respect but the design.

QUILT TOP CONSTRUCTION:  The foundation is a 50″ square of Swiss flannel,  a luscious but shifty fabric which creates its own challenges.  Pulled threads created a centered grid of 7″ squares.  After the threads were pulled, the entire piece was starched and pressed.

Continue reading

Under the Sea

undertheseaKennedyBrite

 

This dress is just breathtaking.  Judy Day has been working on it for more than six months–well, on and off for six months, as she dealt with other must-do’s that popped up.  This is her granddaughter’s 6th birthday dress and Kennedy is just as lovely as the dress!

I’ll let Judy tell you about it.~~~~~~~~~~~~~~~~

“I made this dress for Kennedy’s birthday.  She has been crazy about fish from day one.  When I saw a picture of a similar dress on Martha Pullen’s weekly e-letter last year, after her event in Arlington, I just knew Kennedy would love it.

The planning took more time than the actual embroidery.  I tried several different fabrics for the dress overlay.  Of course, Swiss batiste would have been perfect if it did not require a lot of starch and pressing.  So I decided on a sheer poly fabric for the easy care.  I ordered several different ones from www.fabric.com

I knew the underdress would be Imperial broadcloth.  I searched my stash and did not find a blue that would work.  When an overlay is put over a color fabric, the color must be a bright, clear color or it looks muddy.  I ordered 4 yds.of 4 different bue fabrics from Baltazor Fabric Boutique www.baltazor.com ….one can never have too many blues in their stash!

 

under the sea overlay

 

Baltazor’s has wonderful customer service.  They only had 3 of the blues, so they picked another and then included a 5th at no charge!  It was one of the fabrics they chose that was perfect.  The color was clear and bright even with the overlay.  The overlay gives the dress depth so that some of  the fish look as if they are swimming in the distance. Continue reading

Biscuit Lace Bonnet

This brownish pink “biscuit” colored lace has always appealed to me.  I know nothing about the history of biscuit lace, but I want to believe that it was popular in the Victorian era, a time of lavish display, a time when “too much is seldom enough.”  NOTE:  This was labelled as the decorating style of a woman whose home was featured in one of my favorite  books,  Make Room for Quilts by Nancy J. Martin.

With as little as 20″ of lace 5″ wide, you can make a similar newborn size bonnet using the technique of ruching.   Given that a newborn measures approximately 12″ from ear lobe to ear lobe,  any length beyond that can be ruched (gathered) for some fullness and transformed to a bonnet.

For the horseshoe crown, another 5″ of lace is needed.  It is customarily lined, enclosing the gathers of the body of the bonnet between the lining and the back.  But if there is a shortage of lace, the lining could be made of cotton netting.

Two pieces if lace have been used to create this luscious bonnet.  The bonnet body is a very intricate 5″ wide lace galoon,   27″ long.  A second lace, a 2″ edging, was machine stitched to the wrong side of the galoon, leaving 1″ of  the edging exposed. After the two straight pieces of lace were joined together, three rows of gathering threads were stitched, a scant 1/2″ apart, beginning at the stitching that joined the two laces together.  The gathering threads were then drawn up to 12″ and tied off. Continue reading

Classic Baby Kimono

Cotton flannel kimono is cut from Sarah Howard Stone’s pattern.

Baby kimonos have been around forever but have been eclipsed in popularity by the one-piece sleeper.  But when Laurel was born, those knit sleepers were always second choice.  This kimono was in use every night that it was laundered and available.

 The night time routine was for her father to get up, change her diaper, and then carry his baby girl to her mother to be nursed.  After one frustrating night spent trying to line up the snaps on the sleeper, my son discovered the 2-tie kimono and certified it as daddy-friendly baby nightwear.

Feather stitch is worked with floche.

This kimono and Lezette Thomason’s Bunny’s Knit Nightie (Children’s Corner patterns) were his bedtime garments of choice for Laurel.  Continue reading

Blue Flowers Daygown

Few projects are as satisfying as a baby daygown.  Even lavished with time consuming details and handwork, they are relatively quick.  You can use fine fabrics and short lengths of special trims from your stash that might be too small or too expensive for a larger garment.  And you can use things you have put away for something special and not feel guilty, because daygowns are special.

This smocked daygown was made for Laurel, before her May birth. The angel wing sleeve seemed to be appropriate for the summer heat that would blanket her infancy. The fabric is easy care Imperial batiste, chosen because of the non-stop demands on a new mother’s time and the fact that my daughter-in-law hates to iron.

The trim is a Swiss embroidery from Capitol Imports that I had put away many years ago.  The blue floral insertion was used on the front opening and the matching edge finishes the angel sleeve.

The edge is 1″ wide, too wide, I decided, to be joined to either side of the insertion down the front.  It seemed as if  that much width and that many blue flowers it would just overwhelm the smocking and the dress and the baby.  Continue reading

Embroidered Lace Bonnet

emb lace bonnet xx

 

This gorgeous piece of antique lace edging had languished in my stash/resource center for some time.   Only 21″ long,  its possible uses  were somewhat limited.  I had considered a yoke overlay, but rejected that idea.

 

organdy 3 xx

The mint organdy is the one in the middle. It is really a stronger color than it seems to be on this computer. It is available for $8 py….vintage Swiss organdy, 36″ wide.

 

After  finally deciding on a newborn horseshoe bonnet (so named for the shape of the back crown), I realized that there was not enough lace for the crown lining, a necessary component to cover the gathered back edge of the bonnet.

Meanwhile, like a fine wine, the vintage mint green Swiss organdy (available  at the Janice Ferguson Sews “store”) had been aging in the sewing room armoire, in the same era as the lace.  I took it as a sign.    Lining the bonnet with a colored fabric would show off the lovely pattern of the lace while also making up for my short yardage. Continue reading

Apple of Oma’s Eye

 

Alastair, 14 months, with his personal pastry brush at the ready.

Alastair, 14 months, with his personal pastry brush at the ready.

 

When I first saw the machine embroidery design featuring a  rosy red apple with the text, “of Grandma’s eye,”  I thought it would be fun to stitch on an outfit for Alastair  in recognition of  his other grandmother’s love.

As one design in a newly released collection, it tempted me to buy on sight.   But then I realized that it was the idea that appealed to me as much as the design itself. And I could certainly reproduce a satisfactory facsimile of the design. So I did.

 

AppleofOmascan

 

Alastair’s paternal grandmother, “Oma,” adores him as much as I do. So I thought this little ready-to-wear set would give her an extra big smile the next time she sees him.

Continue reading

Vintage Spoke Collar

I’ve always thought spoke collars were about as lovely as anything could be. The first time I laid eyes on one was in the  Smocking Arts Guild of America’s”newsletter.”  First published shortly after their organization in the late 70’s,  it was the only heirloom/smocking publication to be had.

In about 1983,  there was an ad for a smocking shop. It included the shop name, address, phone number and a picture of a spoke collar that Julia Golson had made. There was no information about a class or pattern, simply a photo of beautiful piece of needlework to draw the reader’s attention.

It took my breath away. I had never seen anything so exquisite,  and mind you, this was a grainy, non-digital black and white photo. Of course, I am easily impressed, and was especially so in the early days of my love affair with heirloom sewing.

Continue reading

Twin and Triple Needle Work

 

zTwindresscrop

 

Judy Day made this intricately embroidered heirloom dress which showcases decorative stitches. By using a single color for both the stitches and  the satin ribbon sash, the frock exudes a quiet elegance, in spite of the complexity of the embroidery.   Adding more stitches to the skirt balances out all the stitches on the bodice.  The overall effect is just so pleasing.

The dress was a blank canvas for twin and triple needle work, the subject of a sewing club meeting that Judy taught for years at B-Sew Inn, a huge Babylock  dealership in Springfield, Missouri.

As you can see, the use of the twin and triple needle in combination with a sewing machine’s decorative stitches creates complex, perfect patterns. But if you have no experience with their use, you would be wise to read up on the topic.

 

zTwindressclose

 

It is important to note your machine’s maximum stitch width. The width of the twin or triple needle must be subtracted from that in order to determine the maximum width for your decorative stitch. Continue reading

“If apples were pears…

Ifappleswerepearswhole

And peaches were plums, and the rose had a different name.

If tigers were bears and fingers were thumbs, I’d love you just the same.” Anon

This sweet sentiment is the focus of the small quilted wallhanging. Suzanne Sawko digitized the text and embroidery designs, then I stitched the little heirloom quilt. This joint effort was for a class we co-taught at a Brother dealer convention in Denver.

 

Ifappleswerepearscenter

It is to the credit of Suzanne’s skill, perseverance and diligence that the floral designs look very much like hand embroidery. They are made all the more so by the use of Brother’s Country Threads with their matte finish. They look just like cotton but are, in fact, polyester.  However, the color palette is limited to 61 colors.  Still, it is my favorite as it offers the look of cotton with the durability of polyester. Continue reading