Category Archives: quilts

Gingham Dog Quilt Part III

Note two sizes of yo-yo’s.

YO-YO’S:  This was really fun.    Suzanne Sawko has always been charmed by yo-yo’s and made a vest of Liberty yo-yo’s for an article in Creative Needle magazine.  But she did it the fast and easy way.  She created a machine embroidery design that does the most tedious part of yo-yo construction, turning under the raw edge, most of it bias.  I’ve always kept that technique in mind…..

After completing the floss weaving through the entredeux and pinstitch on this quilt, it needed something.  There was a bit of congestion at the entredeux intersections and it just lacked……dimension.  That was my objection to the design.  It lacked dimension.  So I decided to make yo-yo’s with Suzanne’s machine embroidery file.  The technique is so simple, so obvious, so neat. And it could be done without an embroidery machine.

Liberty and regular, original weight Solvy (or other water soluble stabilizer) was hooped together, with the Liberty right side facing up, covered with Solvy.  Then 6 circles were straight stitched, at least 1/2″ apart, the smaller size in the 5 x 7 hoop (130mm x 180mm) and the larger size in the  160mm x 260mm hoop.   After the stitching was complete, the Liberty and Solvy were removed from the hoop and cut out, 1/4″ away from the stitching line.  A slit was made in the Solvy and the circle turned, like a pillow top.  Using a point turner, the outline was smoothed and  then the circle was pressed. The result is a perfectly turned circle.  Continue reading

Gingham Dog Quilt Part II

At this point, there is a large square of Swiss flannel in the center, framed with four blue gingham triangles, creating a medallion. Four smaller triangles create the “snowball.”  The perimeter of the flannel snowball  is pinstitched, with the holes from the wing needle in the flannel and the “reach” stitch in the gingham.  The perimeter of the square gingham frame is also pinstitched.

DOG/CAT EMBROIDERY:  All the text files were stitched, including the poem itself as well as the “bow-wow” and “meow” text.  The gingham dog and calico cat was a design from Dakota Collectibles.  Suzanne arranged the text in an arc or wave over the dueling pets.

In an effort to  reduce the stiffness of the  design, the white portion of the gingham dog design was omitted, allowing the white flannel to do the job.  The design was often mirrored for variety.  The shades of blue and yellow 50 wt. DMC machine embroidery thread were varied for the same reason, to create  interest and variety.   Continue reading

Pin Pillow

This is my favorite kind of crazy patch quilting,using otherwise useless pieces of old needlework.  One reason is that I love antique textiles and another is that I like to recycle.

The Victorian style dresser pillow for favorite mementos was created from a medley of vintage handwork,  from doilies to table linens, antique laces, ribbons and trims.

This 8″ x 10″ oval pin pillow, outlined with piping and antique lace edging, is a daily reminder of happy days in the past. A felt pad cushions the pin backs and prevents scratches on the dresser. Continue reading

“If apples were pears…

Ifappleswerepearswhole

And peaches were plums, and the rose had a different name.

If tigers were bears and fingers were thumbs, I’d love you just the same.” Anon

This sweet sentiment is the focus of the small quilted wallhanging. Suzanne Sawko digitized the text and embroidery designs, then I stitched the little heirloom quilt. This joint effort was for a class we co-taught at a Brother dealer convention in Denver.

 

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It is to the credit of Suzanne’s skill, perseverance and diligence that the floral designs look very much like hand embroidery. They are made all the more so by the use of Brother’s Country Threads with their matte finish. They look just like cotton but are, in fact, polyester.  However, the color palette is limited to 61 colors.  Still, it is my favorite as it offers the look of cotton with the durability of polyester. Continue reading

Study in Stippling

26 x 28″

When I saw the tiny 1″ square pattern advertisement in a quilting magazine, I just had to have the pattern for this wallhanging. When it arrived, I was not disappointed.

I’d like to share the name, but the pattern seems to have disappeared from the “quilt patterns” box. Maybe some day it will turn up in my “purses and accessories” or “home dec” box, but for now, it is MIA.

The only modification I made to the pattern was the floral border. This was to be made of 3 pieces of fabric, a stripe, then floral and then another stripe. Instead, I used fabric that included all three, making construction quicker and easier.  I had only to mitre the strip into a rectangle.

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Yellow Rose Heirloom Pillow

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It’s hard to predict just what sort of things will speak to a child. From toys to food, their tastes differ and often surprise both parents and grandparents.
 
Laurel loves this pillow. It is her special treat to sleep with it when she spends the night. Frankly, neither side pressed against the sweet cheeks of a 5-year old would seem to make for pleasant dreams. With a galaxy of French knots on the front and pearl buttons on the back, it would be far less comfortable than the pima cotton pillowcases in the children’s room.
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But she loves it and asked me if she could have it when she is grown up. I expect she will own it long before that.

Featured in an article in the Heirloom Quilting series I wrote for Creative Needle magazine. Portions of that article are included in this post. In order to keep this post to a reasonable length, I have left out detailed instructions for piping, sharks’ teeth and the ruffle. Continue reading

“In the Pink of Life” Quilt

NOTE: This post is from an article I wrote for Creative Needle magazine some time ago. Made for my daughter Rebecca, this is one of my favorite projects.

French ribbon, Swiss basket embroidery, Grannie-made tatting

Heirloom Sewing Goods and Techniques~~~Long identified as the preeminent tone of femininity, pink is often the color of the daygown, embroidery, hair ribbons and other loving embellishments in a girl’s life. The pieces used for the crazy patch squares in this quilt include pink remembrances of my daughter, Rebecca, as well as other gourmet leftovers from earlier projects.

Chinese tatted medallion, pink lace tape, silk rosebud, antique lace

The pink damask napkins represent adulthood–the pleasures and responsibilities of hospitality, graciousness and family celebrations.

antique lace, Swiss butterfly, drawn thread napkin lined with pink batiste

The quilt shows extensive lace-to-lace joining, tucks and other techniques long-practiced by heirloom stitchers. Bits of leftover handlooms and embroideries from baby dresses, lengths of tatting from Easter dresses, pieces of a fancyband of champagne laces and pink lace tape used in a pillow, and salvaged pieces from Grandmother’s cutwork tablecloth are joined in crazy patch harmony, much like crazy patches of memory. The resulting patchwork creation is of a very different genre than the countrified bed coverings shown in living color in quilt magazines.

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AEsop’s Fable Quillow

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Quillows have been featured in previous posts, but most were of polar fleece. I find quillow projects to be universally useful and always fun to make.

Recently, while plundering through my Liberty of London scraps, I was reminded of this little quillow.   It is currently  among the missing and presumed to be residing in the depths of one of my grandchildren’s dressers.  An all-points-bulletin has been issued and I hope soon to have news of its whereabouts.

 

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Some time ago, it was featured in an article I wrote for Creative Needle magazine.  All of the photos and parts of that article are included in this post.

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A uniquely contemporary version of the Great American Quilt, a quillow is a small quilt which folds up into its own pocket to create a pillow. One of simple design, such as a whole cloth with no piecing, can be made in as little as three hours.

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LaceTape Quilted pillow

A pillow is a great project for learning new techniques.  The use and actual quilting of heirloom lace combine two of my favorite sewing genres.   Adding free motion quilting and the use of lace tape to the project makes it an instructive and pretty little ornament.

Beginning with rice Imperial batiste, two rectangles were cut 14″  x 18″, two inches  larger than the intended finished pillow size of 12″ x 16″.  A piece of lightweight batting was cut to the same measurement.  The bow was traced onto one of the batiste rectangles using a fine tipped blue water soluble marker.  The quilt “sandwich” was hand basted together, with the traced bow on  top, then batting and finally the second batiste rectangle.

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Rebecca’s Watercolor Quilt

Blessed are the children of the piecemakers,  for they shall inherit the quilts. 

 

The quilt is actually flat. But in order to get good lighting, the photo was taken outside with the quilt draped over the Confederate jasmine that covers the front porch rail.

 

But my daughter, a quilter in her own right, couldn’t wait that long.  She absconded with this one when she went away to college and it wasn’t missed until I spotted it hanging in her dorm room. She explained that she knew I wanted her to have it, and of course, she was right.

Later, it was displayed in her sorority house room, then in her first apartment and next in the first home she bought as a career girl.  Only now, as “Sadie, Sadie, Married Lady” (remember Barbra Streisand singing this in Funny Girl?), having moved into Harvey’s house,  has Rebecca relegated this little quilt to her cedar chest for lack of a properly barren wall.

I love to quilt.  When watercolor quilting hit the piecemakers’ world,  I was singing, “Getting to Know You,” (The King and I) eager to learn all about.  My dear friend Suzanne and I signed up for a workshop in North Carolina and waited in eager anticipation.  Well, actually, Suzanne waited.  I cut 2″ squares.  Thousands of them.  When we finally headed north, I had cutter’s cramp. Continue reading